Teatro Amazonas

- is an opera house located in Manaus, in the heart of theAmazon rainforest in Brazil. It is the location of the annual Festival Amazonas de Ópera (Amazonas Opera Festival) and the home of the Amazonas Philharmonic Orchestra which regularly rehearses and performs at the Amazon Theater along with choirs, musical concerts and other performances. The theater was built in the late 19th century during a rubber boom and was designed by Italian architect Celestial Sacardim.

Work took 15 years, largely thanks to the decision to source supplies from all over the world: the roof tiles came from Alsace in France, stairs and columns were made of Italian marble and the steel walls came from Glasgow.

Beautiful features include 198 chandeliers, which also came from Italy, and the central dome, covered in 36,000 ceramic tiles painted in the colors of Brazil's national flag.

State Theatre

The State Theatre opened on the 7th of June 1929. The Theatre was the vision of Stuart Doyle, owner of Union Theatres and the esteemed architect Henry White. It was to be seen as “The Empire’s Greatest Theatre” and was designed as a picture palace when such monuments to movies were at their grandest and most spectacular. During its first week patrons were offered “entertainment of unparalleled magnificence”.

The opening night’s performance featured noted bandleader Will Prior who was described in the programme as a conductor capable of lifting “jazz to perfection in a sublime miscellany of melodious rhythm”. The first of countless motion pictures to be shown at the State Theatre was “The Patriot” accompanied by Price Dunlavy billed as a “debonair genius” playing the mighty Wurlitzer organ.Other attractions included Australia’s leading soprano Rene Maxwell & the State Beauty Ballet billed as “a beauty bevy with amazing ability”. The stage was now set for countless performers & films to transport and entertain literally millions of future customers.

It was designed by Aussie architect Eli White, but his decision to base his masterpiece on the work of American John Eberson resulted in a mishmash of Gothic, Italian and art deco styles.

The theater contains the second largest chandelier in the world and a priceless Wurlitzer organ, and is recognized by The National Trust of Australia, which has classified it as "a building of great historical significance and high architectural quality, the preservation of which is regarded as essential to our heritage."

Salle Richelieu

The Salle Richelieu, also known as the Comédie Française, was built in the late 1600s.

The grand staircase is lined with busts of important figures from the theater's past -- the bust of French playwright Corneille is rather worn, due to the belief that touching it will bring good luck.

"It's the archetypal theater -- a womb-like curve of red plush and gold," says professor Jan Clarke at the International Federation for Theater Research.

"It's also a living museum, containing objects, artifacts, paintings and sculptures of huge interest for the history of French theater, including the armchair actor Jean-Baptiste Poquelin used in 'Le Malade Imaginaire' just hours before his death."

National Noh Theatre

-opened in Sendagaya, Shibuya, Tokyo, Japan in September 1983. The auditorium seats 591 for performances of Noh and Kyōgen, and there is also a rehearsal stage, exhibition area, lecture room, and reference library.

Forget cement and plasterboard -- Japan's Noh theater was constructed in 1983 from 400-year-old bishu-hinoki cypress trees. 

It's open on three sides and the seating spreads out from the stage in a fan shape.Despite the traditional elements there's plenty of tech -- each seat has a personal subtitling system that can be changed from Japanese to English at the touch of a button.

Noh (meaning "skill" or "talent") is a form of traditional Japanese musical drama, and plays often last all day

BAM Harvey theater

The Brooklyn Academy of Music (BAM) is a major performing arts venue in Brooklyn, New York City, known as a center for progressive and avant garde performance. It presented its first performance in 1861 and began operations in its present location in 1908.

Today, BAM has a reputation as a leader in presenting "cutting edge" performance and has grown into an urban arts center which focuses on both international arts presentation and local community needs. Its purpose is to provide an environment in which its audiences – annually, more than 550,000 people – can experience a broad array of aesthetic and cultural programs. From 1999 to 2014, BAM was headed by Karen Brooks Hopkins, President, and Joseph V. Melillo, Executive Producer. Katy Clark is now president, succeeding Hopkins who retired in spring 2015.

Balboa Theatre

The Balboa Theatre was built in 1924 and named after Spanish explorer Vasco Nuñez de Balboa -- the first European to discover the Pacific Ocean.

The property fell into disrepair, but in 2002 a major restoration began.

A replica of the theater's sign, depicting Vasco's ship, was created using original colors identified from photographs, and stencils were used to painstakingly recreate the tapestry design that once adorned the walls.

"After a $26 million renovation, this elegant vaudeville theater has been fully restored, complete with its one-of-a-kind, fully operational interior waterfalls," says Ken Stein at the League of Historic American Theaters.

"If you could sum up the beauty of the City of San Diego in a single design, this would be it."

Shakespeare's Globe Theatre

- is the complex housing a reconstruction of the Globe Theatre, an Elizabethan playhouse in the London Borough of Southwark, on the south bank of the River Thames that was originally built in 1599, destroyed by fire in 1613, rebuilt in 1614, and then demolished in 1644.

The name of the Globe supposedly alludes to the Latin tag totus mundus agit histrionem, in turn derived from quod fere totus mundus exerceat histrionem—"because all the world is a playground"—from Petronius, which had wide circulation in England in the Burbages' time. Totus mundus agit histrionem was, according to this explanation, therefore adopted as the theatre's motto. Another allusion, familiar to the contemporary theatre-goer, would have been to Teatrum Mundi, a meditation by the twelfth-century classicist and philosopher John of Salisbury, in his Policraticus, book three. In either case, there would have been a familiar understanding of the classical derivation without the adoption of a formal motto.

It seems likely that the link between the supposed motto and the Globe was made only later, originating with the industrious early Shakespeare biographer William Oldys, who claimed as his source a private manuscript to which he once had access. This was repeated in good faith by his literary executor George Steevens, but the tale is now thought "suspicious".

The Globe operates without any public subsidy and generates £21 million in revenue per year.